婴儿入侵 Baby Invasion (2024)

　　“This is Home Invasion,” Korine says, pointing at a computer monitor inside the house. On the screen plays security--camera and GoPro footage of masked men and women, wearing horns, rampaging through various Miami McMansions, tying up various innocent-looking families. “We’re trying to gamify movies,” Korine says. So Home Invasion is designed to look, at times, like a first-person shooter, and inside the film the home invaders are sometimes playing games —the idea being you can scan a QR code and play along with them. “What we’re trying to do is to build some mechanism that allows people to interface with the footage and basically remix, or make their own, films,” Korine says. 　　They also have been experimenting, Korine says, with replacing the faces of the home invaders with the faces of babies. That film, he says, has a title too: Baby Invasion. Korine has EDGLRD cofounder and head of production Joao Rosa, a grave, priestlike native of Brazil, cue up some sample footage: terrifying.